|
|
|
|
|
|
|
|
Publications and Works in Progress
Books
Against Prose: The Fear of Decline in American Poetry Since Reconstruction (in progress)
Jazz Sonnets: The American Sonnets of Wanda Coleman, co-edited by Jennifer Ryan-Bryant and Lizzy LeRud (in progress)
Jazz Sonnets: The American Sonnets of Wanda Coleman, co-edited by Jennifer Ryan-Bryant and Lizzy LeRud (in progress)
Articles and Book Chapters
Blues and the South," Routledge Companion to the Literature of the U. S. South, eds. Katie Burnett, Monica Miller, and Todd Hagstette, Routledge, forthcoming, 2021.
"Radical Revision: Rewriting Feminism with This Bridge Called My Back and Kate Rushin's 'The Bridge Poem,'" Tulsa Studies in Women's Literature, vol. 39, no. 2, Fall 2020.
"'My best story': Bishop, Lowell, and the Confessional Prose Poem," The Edinburgh Companion to the Prose Poem, eds. Mary Ann Caws and Michel Delville, Edinburgh University Press, 2020, pp. 168-80.
"Heart First Into this Ruin: Revisiting Wanda Coleman," The Poetry Foundation, 11 May 2020. https://www.poetryfoundation.org/articles/153468/heart-first-into-this-ruin
"Living Poems in Thoreau's Prose," Thoreau Bicentennial Essays, a special issue of Nineteenth-Century Prose, edited by Richard J. Schneider, vol. 44, no. 2, Fall 2017, pp. 155-176.
"Radical Revision: Rewriting Feminism with This Bridge Called My Back and Kate Rushin's 'The Bridge Poem,'" Tulsa Studies in Women's Literature, vol. 39, no. 2, Fall 2020.
"'My best story': Bishop, Lowell, and the Confessional Prose Poem," The Edinburgh Companion to the Prose Poem, eds. Mary Ann Caws and Michel Delville, Edinburgh University Press, 2020, pp. 168-80.
"Heart First Into this Ruin: Revisiting Wanda Coleman," The Poetry Foundation, 11 May 2020. https://www.poetryfoundation.org/articles/153468/heart-first-into-this-ruin
"Living Poems in Thoreau's Prose," Thoreau Bicentennial Essays, a special issue of Nineteenth-Century Prose, edited by Richard J. Schneider, vol. 44, no. 2, Fall 2017, pp. 155-176.
Additional works in progress -
- Article on Edmund Clarence Stedman, Ezra Pound, and early psycholinguistic brain mapping
- Article on Golden Shovel poems and American Sonnets, including Gwendolyn Brooks, Terrance Hayes, and Wanda Coleman
Image attributions
Row 1, left to right
"Friday" from A Week on the Concord and Merrimack Rivers by Henry David Thoreau, Penguin Classics edition, 1998, photo by Lizzy LeRud, May 19, 2016
Cover art of This Bridge Called My Back, edited by Cherríe Moraga and Gloria Anzaldúa, Persephone Press, 1981
Vassall-Craigie-Longfellow House in Cambridge, Massachusetts, photo by Lizzy LeRud, May 25, 2017
Page 631 of Physiognominal Systems by Franz Joseph Gall and Johann Spurzheim, Londini, 1815, https://archive.org/details/b24925020/page/n612
Row 2, left to right
Elizabeth Bishop, Vassar College Yearbook, 1934, public domain
Books by Claudia Rankine, Terrance Hayes, and Jericho Brown, photo by Lizzy LeRud, September 17, 2019
"Gwendolyn Brooks" by Brian Lanker on view at Jordan Schnitzer Museum of Art, University of Oregon, photo by Lizzy LeRud, February 18, 2016
Row 1, left to right
"Friday" from A Week on the Concord and Merrimack Rivers by Henry David Thoreau, Penguin Classics edition, 1998, photo by Lizzy LeRud, May 19, 2016
Cover art of This Bridge Called My Back, edited by Cherríe Moraga and Gloria Anzaldúa, Persephone Press, 1981
Vassall-Craigie-Longfellow House in Cambridge, Massachusetts, photo by Lizzy LeRud, May 25, 2017
Page 631 of Physiognominal Systems by Franz Joseph Gall and Johann Spurzheim, Londini, 1815, https://archive.org/details/b24925020/page/n612
Row 2, left to right
Elizabeth Bishop, Vassar College Yearbook, 1934, public domain
Books by Claudia Rankine, Terrance Hayes, and Jericho Brown, photo by Lizzy LeRud, September 17, 2019
"Gwendolyn Brooks" by Brian Lanker on view at Jordan Schnitzer Museum of Art, University of Oregon, photo by Lizzy LeRud, February 18, 2016